Making the Hang

One of my favorite parts of being a Jazz musician is that hanging out is part of the job description. Whether you are in the band or just coming to see the show, hanging out and socializing with working musicians is crucial to your success. Jazz is a social music that depends on relationships and it is very important to create and foster relationships with as many musicians as you can. Everyone is on a different rung of the ladder and most importantly, everyone who has “made it” started out somewhere on this ladder so never feel that you are not “good enough” to hang.

What makes Jazz so special is that, for the most part, this music takes place in smaller venues where the audience actually stands a good chance of meeting the musicians. Considering the fact that seeing live music these days can be very expensive, in order to make the most of your investment you NEED to meet members of the band. For the upcoming jazz student, this can be incredibly valuable. This can be where you first meet your idols, and if you are smart and consistent in seeing these people, you can start the process of recognition and possibly friendship. Its not magic. You don’t make friends through a once every three month encounter. In a future article I will go into some of the Dos and Don’ts of networking but for now just let this concept soak in – You have to meet and know working musicians if you want to become a working musician.

 

Sundays at Birdland

Since 2007, I have had the privilege of playing at one the greatest jazz clubs on the planet on a regular basis. It all started with Maestro Chico O’Farrill’s Afro-Cuban Jazz Orchestra. I was brought in occasionally to sub for David Bixler and Todd Bashore on the alto sax books and I’ll never forget how incredible it was to first play with that band. Getting to play masterpieces like The Afro-Cuban Jazz SuiteThe Manteca Suite, and 3 Afro-Cuban Moods was such an honor for me. My favorite part of the gig was getting to hear Andy Gonzalez on the Bass and Joe Gonzalez on the Bongo. Playing with veterans like them is something I truly cherished.

In 2008 I was asked to join Chico’s son Arturo O’Farrill’s Afro-Latin Jazz Orchestra which was mostly a traveling band that played lots of large venues and festivals. For years I got to travel the world with Arturo’s band and still sub regularly at Birdland in Chico’s band. In 2012, Arturo, who was running the Chico band for years while also running his own band, decided to end the legacy that was Chico’s band on a high note and begin to forge his own legacy by having his band take over at Birdland. That meant that instead of just subbing at Birdland, I was now going to be playing at Birdland every Sunday. Besides getting to regularly work with Gianni Valenti and the great staff at Birdland, I get to sit next to alto saxophone legend Bobby Porcelli every week and take in that huge sound of his. How lucky am I!!! To this day we still play every Sunday, sets at 9:00pm and 11:00pm, and the band is sounding tighter than ever. If you are ever in New York on a Sunday, please drop by and say hello.